The game is developed by me, Filip Coulianos, a professional game developer living in Stockholm / Sweden who has been working on this project for many many years as a hobby aside from work. The first question I usually get asked is if I really make everything myself and the answer is YES! Im doing everything including programming, art, and design. To me, HyperSpace : Pirates of Atira is the blend between everything that I really like; Star Wars, Mass Effect, Homeworld and Half-life and its a great tool for me to push myself professionally and learn more about the other diciplines at work.

>> Click here to visit the official HyperSpace : Pirates of Atira Website

As the lead level designer I was leading and working with the level design team to make all the levels in the game. Apart from that I was more deeply involved in the creation of the prison layout, as well as the gas station level, the construction site as well as the firefights in Harvey's mansion. I was involved from the very first idea pitched by our game director Josef Fares, to starting the studio Hazelight, to the finishing up and final polish of the game.

>> Click here to visit the offical promotional site of A Way Out

The entries was judged based on creativity, visual quality and how Unity was used to achieve the end result. The entry was made solely by me including art, lighting, textures and shaders as well as implementation. The only exception is the characters seen in the videos. Theese where downloaded from Unity's asset store and only textures where tweaked to better fit the rest of the scene.

>> Click here to read the post mortem

Credited as Additional Level Designer I designed and built many concepts for both missions and the open world area in the first 1,5 years of the project. Most notably I worked on the design behind the Prisoner X mission in the game.

>> Click here to go to the official Mirrors Edge Catalyst promotional website

Credited as lead level designer I designed and built the layouts for most of the levels and was following the product from the very first idea to the final polish and release of the game. Aside from level design I was also doing most of the scripting, including the more heavy duty stuff, such as checkpoint logic and level streaming.

>> Click here to go to the official Brothers: A tale of two sons promotional website

I contributed with the level "Escape from Los Angeles", internally dubbed "the railshooter". I was responsible for level design and level beautification and worked with the level from start until right before final polish, where the rest of the work was finalized by other dedicated members of the Syndicate team.

>> Click here to go to the official Syndicate promotional website

The game is a merge between Monaco and Pacman where the player takes the role of a thief stealing valuable object as he progresses upwards through the building towards the ultimate treasure at floor 5. The player has to avoid Guards, motion detectors and surveilance cameras to progress. The simplistic art style is inspired by film Noir but with all objects of interest color coded.
I did everything from programming, game design, art and level design by myself. Audio made by Robin Kullberg.

>> Click here to download Heist

Based upon event based levels such as dm_crossfire and dm_runoff players in the Technodome has to collect energy cells to power the security door and get to safety from falling bombs. The energy cells can also be used to access the RPG and Crossbow.
Technodome has unique gameplay mechanics and even includes a special HUD-element using only Hammer scripting. Level design, scripting, lighting and level beautification is made by me. Props and textures made by Valve corporation. Additional art made by Pontus Karlsson and me.

>> Click here to download dm_technodome
>> Click here to download the high quality video presentation of dm_technodome.

The episode is a part of my final year project to get a Bachelour of art. The goal was to create a unique single player experience while still keeping the episode true to the original and is the result of a deep study in how Valve designs pacing in their single player experiences and ended up with a model on how to measure and get an overview of the pacing of a linear single player experience.
The project spanned over 11 weeks in which i was solely responsible for level design, lighting and overall visuals, manuscripts, project planning, playtesting and feedback evaluation. All textures, props are made by Valve Corporation.
Voice acting is performed by Kelly Harrigan, Edwyn Tiong and Emelie Isacsson. Choreography, manuscript, story,

>> Click here to download Project 25.


You need Half-Life 2, Half-Life 2 Episode 1 and Half-Life 2 Episode 2 installed.
Read the ReadMe.txt included in the .zip for installation instructions.

The level is divided into three separate areas which players are fighting to conquer.
I was responsible for the brushwork, level design, lighting, implementing the props, atmosphere and visuals. World textures made by me, Pontus Karlsson and Claes Engdal. Props made by me, Bjorn Claesson, Johan Aronsson, Claes Engdahl and Pontus Karlsson.

>> Click here to visit the Decadence website.